Justin Caine Burnett) My passions are for unique perspectives, and people who are looking for unique and original ways of doing things. This goes for film, music, art, architecture, everything. I think that everything can be a creative endeavor, it is the spirit behind it that inspires me more than anything.
What are your sources of inspiration when you compose film music: styles of music, composers…
Do you have any mentor?
May you tell me about your training?
May you tell me about your background?
What are your memories of your debuts at Mediaventures?
Why did you choose to go there?
What did you do there? Your production.
Can you tell me about your relation to the two first I’LL ALWAYS KNOW films?
For your score, were you inspired by John Debney’s work?For the third, we all wanted to take a departure from the first two scores by John Debney and John Frizzell.
What did the Mediaventures style bring to the musical universe of I’LL ALWAYS KNOW, which was more orchestral?
How do you see Hans Zimmer? As a godfather? or as a god ?
How did you come on I’LL ALWAYS KNOW?
How much time did you have to compose your score for I'LL ALWAYS KNOW, and with what budget?
What orchestra and what size did you choose? Did you use some electronic sounds in your score or was it all live?
How did you work, and with what request from the crew (director, producer, music supervisor, temp score)?
Why did you accept to do this film?
What do you personally think about the subjects of the film?
Did you use your experience with mister Zimmer to help you on I’LL ALWAYS KNOW or other film music?
What is the role of music in I’LL ALWAYS KNOW?
How would you describe your music for the film?
How would you describe your score for horrific or suspenseful scenes? Is there specific theme for that? If yes, may you describe it?
Did you choose special instruments for the score? (ethnic, folk…)
Why is there no soundtrack album of the scores you made for this film?
Is there any anecdote (funny or moving) about the productions we’ve just evoked that you would like to share with us?
For a new project, if you could choose a genre, a kind of story and a filmmaker, what would they be?
Do you have any other projects to come?
Do you think a fourth opus is may be envisioned?